The boon of the neurotic
In today's era of exquisite confusion - political, economic and otherwise - the neurotic would be a welcome guest, nervous company for nervous days, always ready to provide doses of that most potent vaccine against gloominess: wisecracking, urbane gloominess. Some of the reasons that “neurotic” has fallen out of colloquial usage are obvious. Freudian analysis lost its hold on the common consciousness, as well as in psychiatry, and some of Freud’s language lost its power. And scientists working to define mental disorders began to slice neurosis into ever finer pieces, like panic disorder, social anxiety and obsessive-compulsive disorder - all evocative terms that percolated into common usage, not to mention into online user groups, rock lyrics and TV shows. In 1994, the Diagnostic and Statistical Manual, psychiatry's encyclopaedia of mental disorders, officially dropped the word neurosis from the book. “The DSM is the lingua franca of psychiatry, and given what we know today the term feels old-fashioned and quaint,” said Dr. Michael First, a former editor of the manual. “With the general decline of value of Freud in our society, it is ultimately anachronistic.” |
MATCH THE WORDS WITH THEIR MEANINGS | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
1. Era – (eer-uh) (n) 2. Exquisite – (ek-skwiz-it) (adj) 3. Neurotic – (nyoo-rot-ik) (n) 4. Company – (kuhm-puh-nee) (n) 5. Potent – (poht-nt) (adj) 6. Gloominess – (gloo-mee-ness) (n) 7. Wisecracking – (wahyz-krak-ing) (adj) 8. Urbane – (ur-beyn) (adj) 9. Colloquial – (kuh-loh-kwee-uhl) (adj) 10. Freudian – (froi-dee-uhn) (adj) 11. Hold – (hohld) (n) 12. Psychiatry – (sahy-kahy-uh-tree) (n) 13. Slice – (slahys) (v) 14. Finer – (fahy-ner) (adj) 15. Percolated – (pur-kuh-leyt-ed) (v) 16. Lingua franca – (ling-gwuh frang-kuh) (n) 17. Quaint – (kweynt) (adj) 18. Anachronistic – (uh-nak-ruh-nis-tik) (adj) |
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Answers
1. n | 2. g | 3. q | 4. i | 5. r |
6. k | 7. d | 8. c | 9. o | 10. p |
11. b | 12. a | 13. e | 14. j | 15. h |
16. f | 17. l | 18. m |
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